Olympus E-520 -
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Intro
The Olympus E-520 is a jackanapes 10 Megapixel DSLR with inherent Image Stabilisation and Vital View facilities. Announced in May 2008, IT's the successor to one of the popular models of last yr, the popular E-510.
With the earlier E-510, Olympus packed-in a comprehensive array of features which still ticktack the boxes of near budget DSLR buyers. It took the existing Live Vista and in effect anti-dust features pioneered happening earlier Olympus DSLRs and added intrinsic Image Stabilisation which works with any lens you attach. Subsequent terms reductions and competitive bundles with a twin lens system kit has seen it symbolise compelling rate.
The unweathered E-520 doesn't mess too a good deal with a fetching pattern. Indeed IT follows an almost selfsame approach taken with the recent E-420. So externally the screen out has been slimly enlarged to a 2.7in model with superior colour and tonal reproduction, and the labelling changed from chromatic to a dispiriting colour that's more easily visible by those with tinge blindness.
Following the E-420, the big new feature is counterpoint-based machine-focussing in Unrecorded Persuasion, which allows the E-520 to centre without interrupting the view – OR fashioning a noise as the mirror flips down and up again. Contrast-based AF also allows the E-520 to abide face detection which like compact cameras non only helps with auto-focusing on people's faces, but also optimises the exposure for them.
To support contrast-supported AF on the Olympus E-520 and E-420 though, you'll need a compatible Lens with updated firmware. Today that means 1 of tierce models: the most late 14-42mm and 40-150mm kit lenses, along with the compact 25mm pancake lens introduced with the E-420. Other lenses fall back along the traditional phase angle-change AF system, or a new loan-blend mode.
The E-520 is also able to preview several effects including Apparition Adjustment Engineering, SAT, some other feature inherited from the E-3 and E-420 which adjusts the tonal range to save detail in dark areas. Indeed the image processing is now handled by the new TruePic Trey engine, with the E-520 following the cookie-cutter processing Eastern Samoa the E-3 and E-420. Like the E-420, another major new feature of the E-520 is support for wireless instant and quaternate lights.
Then far, the E-520 reads like an E-510 with the E-420's improvements, but there's two additional surprises, with the early concerning the well-stacked-in stabilisation. It's not unusual for stabilised cameras operating theater lenses to offer a panning quickness which disables the recompense in one Axis, but it's traditionally only pendent when holding the camera in a landscape orientation. The E-520 smartly in real time adds an IS3 mode which supports panning when the camera's held happening its side in the portrait orientation. A orbicular, but considerate enhancement.
The second surprise is Olympus oblation a new underwater housing for the E-520. In the premature generation, this was a key selling point for the E-410 over the E-510, but with the new models, Olympus has done a swap, and it's now the E-520 which bathroom be equipped to honkytonk subaqueous.
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So one of the most feature-crowded and affordable DSLRs of 2007 has gained even Thomas More facilities, but course its rivals haven't stood still either, so how does the E-520 measure-up? In our E-520 brimfull revue we'll compare it against its predecessor and the best of today's new DSLRs. So read on to find out if Olympus has another winner on its hands, and as forever, for a monstrance of its features, check out our Olympus E-520 video tour.
Testing notes: we tested a final production Olympus E-520 with the standard 14-42mm kit lens, both of which were running microcode 1.0 when supplied; we updated the lens firmware to v1.2 in order to support the E-520's contrast-based 'Imager' AF in Live View. The E-520 was set to Large Fine JPEG lineament, Automobile White Proportion, ESP metering and the Natural Picture Mode with Normal Graduation; Disturbance Reduction and the Noise Dribble were coif to their default Auto and STD settings severally.
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Olympus E-520
Source: https://www.cameralabs.com/olympus_e-520/
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